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Sydney Bookbinding

Welcome to my Bookbinding Blog

The making of books, the teaching of bookbinding and the association with other bookbinders and book artists has become the focus and passion of my life. Bookbinding has many aspects and we debate a lot about the precise definitions of various aspects but, working with our hands within this discipline, challenging our skills and creativity is intriguing, frustrating and exciting.
Sydney Bookbinding
Sydney Bookbinding

Life is changing – back to my painting

Moonlight Lagoon
Latest watercolour painting - Moonlight Lagoon

Latest watercolour painting - Moonlight Lagoon

 

My recent health issues have made for some serious thinking as to what I want to do and what is important to me.

So I have retired from doing commercial bookbinding after 25 years (very hard). I have bookbinding work I want to complete and have a catalogue of handmade notebooks to hopefully tempt some gift purchasing.

I have a couple of delightful private students that come around from time too time. I have always loved some teaching and these students are really friends now.

Biggest change is getting back to my first love – painting. Yes I am spending some time exploring themes and techniques that have been always there in my mind.

I hope you like my latest work.

If you are interested in a catalogue for my handmade journals please email me and I can send you a catalogue.

email – sydneybookbinding21@gmail.com

Posted in Custom Bookbinding |
Sydney Bookbinding

Update – Inner West Studio Trail

Botonic Abstractions Front cover box lid
Botonic Abstractions Front cover box lid

Botonic Abstractions. Front cover box lid

 

 

A couple of images of Artists books I have made over the last few years.  An interesting area of bookbinding and something I have been teaching at the UNSW/Art& Design (COFA) for the last 15 years.

West Connect have just informed us that part of Campbell Street  will be blocked off on Sunday so, if coming to us, please come via Victoria Street. You can phone Kevin on 0407 775 789  or me on 0434 443 987 for further assistance.

Botanic Abstractions

Botanic Abstractions concertina content

The Beginning and The End covers

The Beginning and The End Coptic stitched covers

The Beginning and The End

The Beginning and The End internal page

Posted in Inner West Open Studio Trail 2018 |
Sydney Bookbinding

Inner West Open Studio Trail

A5 leather journal with decoration
Oriental books with decorative covers.

A5 Oriental stitched notebooks with decorative covers

A5 leather journal with decorative leather panels or toolingA5 leather journal with decorative leather panels and tooling

As part of the Inner West Open Studio Trail we are open next Sunday – 18th March  from 10am to 4pm – to all who might like to visit a working bindery. Here the ancient craft of hand bookbinding is practised and wonderful wooden equipment employed – all on show.

I also have a small range of hand made journals and notebooks for sale – a small but unique commercial range that I hope tempts some of you.

I include some images of books for sale.

For more details concerning this event you can look at the Inner West website -

https://www.innerwest.nsw.gov.au/art–events/arts-and-culture/inner-west-open-studio-trail

As we are at the end of a narrow suburban street – 101 Church Street, St Peters there may be some difficulty in parking. Kevin will be there to assist you so call him on 0407 775 789 if you get to us and cannot find a place to park.

We have West Connect at the end of the street but no street blockages are scheduled for next Sunday so Campbell Street will be open.

You can always phone me for more information – 0434 443 987  Love to welcome you to my bindery.

Coptic books with decorative covers
Coptic books with decorative covers
Posted in Inner West Open Studio Trail 2018 | Tagged |
Sydney Bookbinding

Marking day – 25th January

As you are to present your final two books for marking on the 25th January it is important that you display your books clearly and well.

Perhaps a sheet of white paper to display your work on and your name (as per the attendance roll) plus student number to be clearly displayed with your work.

The Concertina is to be presented in an open position. I will be checking that it stands securely and closes fully between protective covers. Have the samples you created shown behind this structure.

Some technical points that are part of your marks -

  • The concertina opens and closes easily
  • Covers and Concertina stand securely at the base.
  • Covers are sanded and well covered – no gaps at the corners.
  • Some designing on the covers to relate them to the ‘theme’ of your Concertina.
  • Concertina is securely attached to the covers and a suitable lining is attached to the covers.
  • Both sides of  the Concertina are worked (if this format) and, if a flag book, the action of opening reveals a different design but related to the front side.
  • Designing to give a ‘progression’ in theme or surface effect should be attempted.

The Longstitch is to presented in a standing position. I will open it to check flexibility of the covers, suitability of cover and spine size, cover lining and stitching of sections. The sequential presentation of your ‘story’ is important plus the working of the pages to create interest. Have samples you created shown behind this book.

Some technical points that are part of your marks -

  • Covers are sanded and cover cloth neatly turned in at the corners.
  • Covers have a suitable ‘square’ and the book stands straight.
  • Cover design is related to the content enclosed.
  • Spine stitching is firm and perhaps worked into a design.
  • Lining of covers suitable and smooth.
  • Content is interesting in the way you have worked the pages – both sides – plus they are sequential according to your ‘story’.
Your Oriental book has been marked but include it in your display.
I will photograph your work to allow me to take my time assessing and marking your work.
I look forward to seeing you all, and your work, on the 25th.
Posted in UNSW/Art and Design |
Sydney Bookbinding

Last day for assistance

Book sits well and cover is well designed
Concertina -
  • Covers and concertina must stand securely flat on the desk and in an open arrangement.
  • Have your sandpaper to sand the head, tail and foredge (top,  bottom and front) of the outside of the covers to remove that sharp edge. A longer bevel sometimes looks, and feels, good.
  • Remember to take the sharp point off the corners also.
  • Covers must be able to fully close protecting your concertina.
  • Work surfaces both sides to create interest – some attempt to have a progression in the images is required – even if only from one side to the other.
  • Covers should show some designing to relate them to your concertina contained.
Hard cover Longstitch -
  • Covers need to be larger than your text pages – we call this the ‘square’. a smaller book perhaps around 5mm but a larger one 10mm
  • As the board you are using is approximately 3mm thick make the spaces 7mm wide. This will ensure that the covers flex well back and forth.
  • Have your sandpaper to sand the head, tail and foredge (top,  bottom and front) of the outside of the covers to remove that sharp edge. A longer bevel sometimes looks, and feels, good.
  • Remember to take the sharp point off the corners also.
  • For this book sand also the top and bottom of your spine piece.
  • Bookcloth must be used for the spine area in order to create a strong and lasting hinge. Rest of cover is there for you to decorate, design and create an appropriate introduction to your book.
  • You need to cover the inside of the spine strip, and onto the covers, with the bookcloth also. Make sure that the overlap onto the covers is at least 20mm each side as you are working it into the hinge which will take up about 7mm each hinge area.
  • The inside of the covers needs to be covered and this can be of any material as it is not over a hinge area or structural in any way. Do this area after you have finished your covers and make sure it is squared.
  • It should not cover to the very edge but come in from the cover edges by a few mm at least.
  • This book requires a definite sequential story line and you should work both sides of the pages.
  • Animate the surfaces – work them – to create interest.
  • Remember paper can be folded, pleated, crushed, torn, woven, stitched. Pockets and fold-outs are elements to consider and sections can be created with pages of different heights – single pages or multiples.
  • This is a major book and should have at least 8 sections.
  • Stitching can be single rows or two sections into one row. It can be a combination of single rows and double rows of stitching depending on your sections.
NOTE – width of spine is not determined until the sections are folded.
  • Spine width is to comfortably accommodate your sections – not squashed. Allow 4mm at least extra either side before the spine edge of your first and last section. The row of holes begins therefore inside the edge of your spine. Holes need to be 4mm apart at least.
  • Your exact paper pattern for the spine holes is taped to the outside of the spine (when covers are completed), and you awl accurately through from the outside.
  • A separate paper pattern is created for your sections – line these up against your spine holes and ensure you keep the pages up the right way. Awl the  holes through from the inside and make sure they are exactly at the fold.
  • Stitching can become a decorated area by perhaps binding areas, adding objects – this can introduce colours.
    Book sits well and cover is well designed

    Book sits well and cover is well designed

IF THERE ARE AREAS HERE WHERE YOU REQUIRE ASSISTANCE MAKE SURE YOU ASK ME TO GO OVER THESE POINTS WITH YOU.                       

Accordion with cut away panels

Accordion with cut away panels

Interesting cover with stitching

Interesting cover with stitching

Posted in UNSW/Art and Design |
Sydney Bookbinding